ScreenReport is a streaming guide for US viewers. We tell you when something arrives, in what order, how it ends, and whether it is coming back. This page explains how we work, where our information comes from, and what we do when we get it wrong.
What we publish
We cover the services US viewers actually subscribe to: Netflix, Prime Video, HBO Max, Disney+, Apple TV, Paramount+, Peacock, Crunchyroll, and the live events carried on ESPN.
Our reporting falls into two families. News covers what changed today — a renewal, a release date, a trailer, a deal. Guides answer questions that stay useful for months: full release schedules, monthly line-ups, what is leaving a platform, finale explainers, and renewal status.
How we verify a story
Every article clears the same four checks before it goes live.
- US availability. If a title is not reachable from the United States, we do not cover it as if it were. A show streaming in Europe with no US home is not a US story.
- US dates. Release dates differ by territory, sometimes by weeks, sometimes entirely. We publish the US date, or we say plainly that no US date exists yet.
- US distribution titles. We use the name a title carries in the United States, not a translation of its original name.
- The right platform. Rights move. A series carried by one service abroad may sit with a different service here, or with none. We check where it actually streams in the US at the time of writing.
Live sport is the most volatile of all: broadcast rights change hands mid-season. Any platform we name in a live-event article is verified at the moment of writing, never carried over from an earlier piece.
Where our information comes from
We report from platform announcements, press materials, and public filings. Where a claim originates with a named outlet or a creator interview, we say so and link to it.
ScreenReport is published by the same editor as two established French-language entertainment newsrooms, serie-news.com and netflix-news.com. That relationship gives us unusual depth on European and international titles arriving on US platforms — programming that US outlets typically cover in a paragraph, if at all.
Sharing an editor is not the same as sharing articles. Reporting that originates in those newsrooms is rewritten here for a US audience, with US dates, US distribution titles and US availability verified independently. We do not republish translations.
Corrections
Streaming dates move and renewals get reversed. When an article becomes wrong, we correct it in place rather than publishing a new page, so the URL you bookmarked stays the one that is accurate. Substantive corrections are noted in the article.
If you find an error, write to us through our contact page. We would rather be told.
Our use of AI
We use AI tools in production — for drafting, for translation between our newsrooms, and for structuring recurring formats such as release schedules. We are saying so because you deserve to know how the page in front of you was made.
What that does not change: a human editor is responsible for every article published here, the four verification checks above are applied to every piece, and no article goes live on the strength of a model’s output alone. Where we get something wrong, the responsibility is ours, not a tool’s.
Bylines
Articles are signed ScreenReport Editorial Team. We use a newsroom byline rather than invented reporter names. If a person were named on an article here, that person would have to exist — so we name none.
Independence
We are not affiliated with, endorsed by, or paid by any streaming service. Platform names and logos belong to their owners and are used for identification only. Where a page carries advertising or affiliate links, that placement never determines what we cover or how we assess it.
